IVAN GASKELL

 

Harvard University Department of History

Harvard Art Museum

ivan_gaskell@harvard.edu

 

 

 

 

Welcome to my personal website. I am a cultural historian working at the intersection of history, art history, anthropology, museology, and philosophy. I incorporate philosophy of art and artifacts into historical writing and museum practice.

 

Twitter Updates

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New: Posted on Harvard University’s online publication, The Yard, an article incorporating a video segment on my attempts to teach with tangible objects, “Learning from Harvard’s ‘Art Whisperer’”—not my title! Vital information that didn’t make the final cut is that the bow in question is seventeenth-century Wampanoag or Nipmuc, reminding us of the antiquity of human habitation in New England.

 

Please click on the headings for details.

 

 

INCHOATE THOUGHTS

I realize that my combination of interests confuses people—it confuses me—but interdisciplinarity, rather than narrow academic specialization, is our fate. It’s also in my temperament to define and ask the question behind the question (and the question behind that question). It annoys so many people.

Recent Thoughts: January 1, and February 6, 2010. (For the complete list, click the heading.)

In addition, I pass on a quote from Amanda Palmer’s blog concerning my (more than) slightly interesting son:

one clip of love:
leo gaskell is a video genius lexington high student who has been attending all the rehearsals (you’ll recognize his name from the still shots i posted in the last blog). he’s been videotaping everything and just put
this awesome youtube clip together, which includes an interview with me

 

PUBLICATIONS

In a career at London University’s Warburg Institute, Cambridge University, and—since 1991—Harvard University, I have written, edited, and contributed to a bunch of books and academic journals, and published contemporary art criticism. My subject matter is diverse because I am concerned with the principles of writing history from art and artifacts. My work on early modern Dutch and Flemish art—notably Johannes Vermeer— attracts some readers, while that on museum practice engages others. Yet others dip into my philosophy contributions, notably Cambridge Studies in Philosophy and the Arts, the book series I edited with Salim Kemal.

 

EXHIBITIONS

I have curated numerous long-term museum installations and art exhibitions. I work on the Web: check out “I Have a Son to Offer”—An Online Exhibition of American Civil War Artworks in Harvard Collections. [Temporarily suspended in May, 2009 as part of the redevelopment of the Harvard Art Museum web site.]

 

LECTURES & SYMPOSIA

While acknowledging the inescapability of my European and American identity, I promote cultural decentering (no more centers and peripheries). I advocate attention to the visual creativity of a wide range of societies. Recently, I have written and lectured on topics from Polynesia, Congo, and Native American nations in the USA.

New: I am starting to make podcasts of lectures available: try listening by following the link to my podcast page.

 

COURSES

Prospective students who are interested in working with me should also visit my Harvard History Department webpage. Teaching is important to me, but I also have museum responsibilities.

 

 

 

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